LinkedInPetra Cerne Oven

Petra Cerne Oven

designer, researcher, teacher

Location
Slovenia
Industry
Design
Current
  1. Academy of Fine Arts & Design, University of Ljubljana,
  2. Institute of Design,
  3. The Brumen Foundation
Previous
  1. The Brumen Foundation,
  2. Tiporenesansa / Festival of Letters,
  3. Department of Typography and Graphic Communication, University of Reading
Education
  1. University of Reading
Websites
275connections

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Academy of Fine Arts & Design, University of Ljubljana

Academy of Fine Arts & Design, University of Ljubljana

assistant professor

Starting

View full profile

Background

Summary

Petra Černe Oven is a designer and writer with a special interest in typography and information design.

She received a Typographic Excellence Award from the Type Directors Club of New York and was the recipient of the Most Beautiful Slovene Book award in 2011. She has published in such journals, magazines, and newspapers as Eye, Typography Papers, Baseline, 2+3D, Emzin, Typomag, Hyphen, Oris, and Ampak, as well as many other publications. She is the Slovene delegate for the Association Typographique Internationale (ATypI) and a founding member of the Ljubljana-based Brumen Foundation, which seeks to promote the field of visual communications.

In 2004, she completed her PhD in the Department of Typography and Graphic Communication at the University of Reading (UK). She went on to work with Paul Stiff on the research project “The Optimism of Modernity: Recovering Modern Reasoning in Typography”, for which, among other things, she curated an exhibition on the British artist and typographer Edward Wright and edited the companion book Edward Wright: Readings, Writings (Hyphen Press, 2007).

In 2009, she developed the concept for the international lecture series “Information Design 2009/2010”, which was organized in collaboration with the Slovene Museum of Architecture and Design and the Pekinpah Association. In 2011, she collaborated on an extensive research project on the Slovene designer Miljenko Licul, which culminated in an exhibition at the National Gallery of Slovenia in Ljubljana, for which she edited the accompanying book on the designer.

In 2012, she and Barbara Predan developed the project “Designing an Agenda, or, How to Avoid Solving Problems That Aren’t” (produced by the Pekinpah Association and the Regional Development Agency of the Ljubljana Urban Region), which looked at the fields of service and information design in both theoretical and practical terms. In 2013, as part of the project, they published a scholarly monograph under the same title.

Specialties:typography, information design, design history and theory

Experience

assistant professor

Academy of Fine Arts & Design, University of Ljubljana
– Present (7 years)Ljubljana

http://www.aluo.uni-lj.si/zaposleni/petra-cerne-oven/
http://www.oblikovanje-okoli-nas.si

co-founder

Institute of Design
– Present (10 months)

member of supervisory board

The Brumen Foundation
– Present (2 years 1 month)Ljubljana, Slovenia

http://www.brumen.org

member of the scientific committee

CIDI 2013 : 6th Information Design International Conference
– Present (2 years 9 months)Recife, Brasil

member of the scientific committee

International Conference on Typography & Visual Communication
– Present (2 years 9 months)Nicosia, Cyprus

head of information design

Pekinpah
– Present (5 years 5 months)Ljubljana, Slovenija

http://www.pekinpah.com
http://www.r-t-o.si/simpoziji/designing-an-agenda/

art director

paralaksa//parallax
– Present (21 years)Ljubljana, Slovenija

co-founder & board member

The Brumen Foundation
(10 years)Ljubljana, Slovenia

http://www.brumen.org/en/
Nonprofit Organization for Visual Communications, organising exhibitions, competitions, lectures and conferences

member of the board of experts

Tiporenesansa / Festival of Letters
(3 years)Ljubljana

Publications

Design education : what do you see? What do you think about it? What do you make of it? : 30 years of design at ALUO = Izobraževanje na področju oblikovanja : kaj vidiš? Kaj misliš o tem? Kaj s tem narediš? : 30 let oblikovanja na ALUO(Link)

Academy of Fine Arts and Design / Akademija za likovno umetnost in oblikovanje
June 2015

More about: https://www.academia.edu/14261273/Design_Education_What_do_you_see_What_do_you_think_about_it_What_do_you_make_of_it

The question is an old one. How do you teach in a way that students actually learn something? In a way that they actually acquire knowledge? And what does it mean to acquire knowledge?

Other authors in the book: David Erixon, Alain Findeli, Tony Fry, Tomás Maldonado, Norman Potter, Teal Triggs

Order your free copy at: io.uo.aluo@gmail.com

Authors:

Javni sektor: nosilec napredka?

Društvo Pekinpah
February 2015

Zbornik besedil na temo vpeljevanja oblikovanja in inovacij v javni sektor. Gre za prvi zbornik, ki je na izbrano temo izšel v slovenskem jeziku.

Vsebina:
Barbara Predan
Javni sektor: nosilec napredka?

Lucy Kimbell
Kaj obsegajo profesionalne oblikovalske veščine?

Jesper Christiansen in Laura Bunt
Prenova javne politike: upoštevanje družbene kompleksnosti in negotovosti pri oblikovanju javnih storitev

Guy Julier
Politične ekonomije oblikovalskega aktivizma in javni sektor

Petra Černe Oven
Študije primerov: Seznam dokumentov, ki izpostavljajo pomen in vlogo vključevanja oblikovanja v javni in zasebni sektor (izbor)

Uredila: Barbara Predan
Cena: 10 Eur
Nakup: pekinpah.com

Authors:

Design is All Around Us/Oblikovanje je povsod okoli nas(Link)

Academy of Fine Arts and Design
October 2014

Design is all around us (Introduction)

1984.
A highly meaningful year. Orwell's novel from 1949 has marked us and its contents remain all present – just like Big Brother. If the omnipresence of control in Orwell's dystopia was loud, always manifesting itself through posters and telescreens, the omnipresence of design in the society is quiet. In his book Becoming Human by Design Tony Fry characterises design as the overlooked factor which defines us as humans besides biology and culture of the society. Moreover, according to Fry design is "an enormous complexity that is negated by almost every way that it is addressed".

2014.
Anniversary. Every anniversary (besides enthusiasm: "Who would have thought, we're still here!") opens a phase of reflection on the past and current state and provides the starting points for the cooperative planning of the future. Thirty years have passed since in 1984 the first higher education programme in Slovenia came to life in the context of the Department of Design at what was then the Academy of Fine Arts. Even today this programme covers the various design fields and regularly introduces new courses and subjects in the attempt to respond to the constant development of this profession at home and abroad. Some of these efforts are described in this book.

The motto of the anniversary is "design is all around us". When we started thinking about this it became clear that although we may have different opinions about what design actually is, the fact that it is everywhere cannot be disputed. Everything is designed, the only difference is whether the design is good or bad.

We can proudly state that despite the unenviable and second rate position of the design profession in the context of the University of Ljubljana the results of our graduates and professors are becoming increasingly visible. They develop our environment, fascinate us with international successes, and in fact (in spite of their scarce numbers) keep pushing the envelope.

Authors:

Designing an Agenda, or, How to Avoid Solving Problems That Aren’t(Link)

Zbirka [Collection] 42:3, Pekinpah & RRA LUR
May 2013

The aim of the book, lies in designing a plan, in a methodology and tools, in recommendations to policy-makers, and in dealing with concrete cases that, in both theory and practice, bring together stakeholders in certain selected topics and starting points. Our concern, is to shift to a search for the right problems and needs – things we encounter every day in receiving and offering services and information – and to bring at least one project to realization: in other words, to confirm that service and information design can have a positive influence on our surroundings, that we are designing for the community and inspiring concrete changes.

The power to achieve what we have described we find in linking the two disciplines: service and information design. Both disciplines share a methodology, which, although it can diverge in certain phases, often overlaps in many areas. That is also why the third volume in the Zbirka 42 series deals with the two fields in an integrated way, and where they intersect we find: the user. When interdisciplinary teams working on projects concentrate on different aspects of scoping, exploring, and solving a problem, what they have in common is that in all these phases of work they “put on the glasses” of the stakeholders involved in the service. And from that point on, experts, users, and other stakeholders in the service add, each in their own way, knowledge and experiences from their own particular fields. Only such an approach can deliver a good solution and – as is our own ambition – make it possible for the service to become a reality and continue its own independent life among those who perform services and those who receive them.

This book, then, can be read as a handbook, a guide to how and why we should tackle two extraordinarily complex fields, which at the same time are integrated into every pore of our daily life. With one important note – borrowed from Douglas Adams, a master of writing guidebooks: DON’T PANIC.

Authors:

Miljenko Licul (ed.)(Link)

Fundacija Brumen
2011

504 pp about one of the most prolific Slovene designer, who was instrumental in building identity of Slovenian state in 1990s. Soon to be published in English language. Connected exhibition: http://www.ng-slo.si/si/razstave/razstava/miljenko-licul?id=1502

Modern typography in Britain: graphic design, politics, and society (Typography papers 8)(Link)

Hyphen Press / University of Reading
2009

This remarkable volume is a collection of eleven essays and shorter articles which for the first time provide rich contexts – social, cultural, and political – for graphic design in Britain.

Authors:

Edward Wright: readings, writings (ed.)(Link)

Hyphen Press / University of Reading
2007

"The book, published by the University of Reading, is not an exhibition catalogue. It was planned, instead, as a companion to the exhibition. It brings back into circulation some forgotten texts written about Edward Wright by contemporaries – collaborators, students, and critics. It republishes an important handful of Wright’s own writings from diverse sources. The book ends with two very useful listings: a biographical outline of Edward Wright and a bibliography of writings about and by him."

“Skąd się wzięły znaki diakrytyczne? / Diacritical marks – where from?”(Link)

2+3d, no. 14, I-2005, pp. 20-23.
January 2005

Typographic history of diacritical marks

An interview with Robin Kinross(Link)

Emzin, vol. 9, nos. 1–2, 1999
1999

"This interview was recorded in London on 28 May 1999, and published in Slovenian translation in the cultural magazine ‘Emzin’ (vol. 9, nos. 1–2). In making this transcription, we have made some clarifications and expansions of what was said." (RK)

Authors:

Skills

Education

University of Ljubljana

BA, Academy of Fine Arts & Design, Visual Communications

Interests

Honors & Awards

- Category Award, 6th Biennial of Slovene Visual Communications, National Gallery, Ljubljana, 2013, with coauthors.
- Designer's Association of Slovenia, Award "Oblikovalski presežek četrtletja" for summer 2012, for a book on service and information design, with dr. Barbara Predan, November 2012.
- The most beautiful Slovenian book award, 2011.
- Certificate of Excellence, 4th Biennial of Slovene Visual Communications, 2009.
- Invited tender for visual identity of »Ljubljana − World Book Capital 2010«, August 2008, winner.
- Certificate of Excellence, 2th Biennial of Slovene Visual Communications, 2005.
- Invited tender for new Slovenian Euro coins; special honorable mention by jury; May 2005.
- Typographic Excellence Award 1999, Type Directors Club New York, 1999.

Languages

  1. English

    Full professional proficiency
  2. Slovenian

    Native or bilingual proficiency

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